
Mainly comprised of original songs and recorded live off the floor, D.B. Cooper is a satisfying exploration of the bluegrass genre by the pr...
Mainly comprised of original songs and recorded live off the floor, D.B. Cooper is a satisfying exploration of the bluegrass genre by the pr...
Daniel Romano switches gears (and time periods) for Spider Bite, his sixth album of 2020 so far. Romano, the father of "mosey," embodies a v...
Christa Couture's EP Safe Harbour is anything but safe: the daring six-track release is full of risks, both lyrically and sonically. It's an...
William Prince has evolved; the Winnipeg-based artist's sophomore album, Reliever, the followup to his Juno-award winning debut Earthly Days...
Despite its conventional title and concept, Sarah Jane Scouten's latest album, Confessions, is a surprisingly fresh approach to the confessi...
The Dead South are arguably Canada's best-known "bluegrass" band. Their video for "In Hell I'll Be in Good Company" has been viewed over 150...
Zachary Lucky's new album, Midwestern, opens with the lines "There was a time when I used to run / But I don't run anymore." It's a wistful...
Evangeline Gentle's self-titled album is a triumph. The album is the first major release by the young musician, but for those of us who have...
How do you review an album like Ian & Sylvia's The Lost Tapes? The Tysons are legends in the Canadian folk world, and their continued influe...
Paul Cauthen claims that making Room 41 nearly killed him; according to the album's liner notes, Cauthen wrote the album during the "harrowi...
One look at Chopped Liver's artwork communicates everything you need to know about this album: the band are from the Toronto area, the boys...
The latest release by New Orleans singer-songwriter Esther Rose, You Made It This Far, is the perfect soundtrack for your next summertime ro...
The latest release by Toronto-based experimental folk artist Clara Engel is difficult to label. Where a City Once Drowned: The Bethlehem Tap...